Focolare Movement

Art and Cities: young artists on tour in Europe

They are young artists who are taking part in “Arts & Culture – Reshaping Urban Life” which was organized by various partners from the worlds of art, culture, and education. They are financed by the European Union cultural program (EACEA). Among them is also the Starmacher Association, known for its Strong Without Violence program that was carried out together with Gen Rosso in many schools throughout Europe and the world. The group of urban artists has recently returned from Udine, Italy, where they worked together for ten days (24 August – 4 September) in the “Park of Cement” sharing their impressions of the city with its citizens through paintings, acoustic works, and sculpture, as in the filigree model of the city’s water tower. Udine was the itinerant project’s third stop, which foresees laboratories to be carried out in five different cities of three European states (Udine and Venice in Italy; Schwerte and Dortmund in Germany; and Sternberg in the Czech Republic). “The atmosphere among us is quite particular,” a young student from Monaco di Bavaria recounts, “It’s as if we’ve known each other for a long time. And we’re actually able to work together on a single work of art with several artists. And our hosts immediately perceive our every need and desire! This is quite an exceptional way of working!” During February, in Schwerte, Germany, the participants were joined by experts to examine the theoretical and cultural foundations of their work. The central topic was the mutual influence between urban development and artistic expression in society and in the cities of today. There is a direct link between art and city, and young people have a particular sensitivity for the place in which they live. Their works almost always reflect their birthplaces in some way. The second stop was in the Czech Republic (2-10 July) where an old and abandoned monastery in Sternbeck became the point of inspiration. Each artist could choose his or her own “art studio” in which to work. In the evenings they met to chat and know each other better, to sing and dance. Each seminar concluded with a public showing of their works that had been created during the days of the seminar, but also included some paintings or sculptures which came from their studios at home. The fourth stop is underway in Udine at a workshop with Gen Rosso ending on 23 September. Upcoming stops include: an interdisciplinary seminar with Gen Rosso in Dortmund, Germany and, finally the concluding congress in Venice on 23 February 2012.

The Journey, the Dialogue, and the Fragment

The Journey, the Dialogue, and the Fragment

The first little town of the Focolare Movement, Loppiano, is one of the most beautiful places in Valdarno, Italy not only because of the people who live there or because of the message they spread, but also because of the natural surroundings and the style of the buildings and streets that betrays an architectural design which is certainly not accidental. In Loppiano even the stones “speak” and tell of a life that is helping the world to become a family, even in its outward design.

What better place then, to accommodate forty architects eager to capitalize on their professional experience in the service of universal brotherhood? Said and done: The group met from the 11th to 13th of June for a seminar dedicated to deepening understanding and relationships through a sharing that became a study, mutual enrichment,  and  concrete work proposals for the future.

The title itself tells the three strands along which the reflection grew:

The journey, designed as an opportunity for meeting and respect between cultures which is then expressed in living with traditional and innovative architectural forms.

The theme of dialogue drew participants into reflecting on the meaning of labor as a long process that involves the people, workers, and all those who in various ways, participate in a project.

The reflection on the fragment revealed a world that is made of fragments more than of coherent pieces, challenging the participants in the reconstruction of the details from such differentials, through appreciation for diversity as a contribution to unity.

The real “cement” in these sessions were the moments of sharing, the evenings spent together, the mealtimes, and the moments of recreation. Everything contributed to a better grasp of the specific contribution of Chiara Lubich’s charism to architecture, both at the operational level and in theory, showing that the quest just begun will only lead to more new developments, as Maria Emmaus Voce – current president of the Focolare – hoped in her message to the participants, “for the good of the city and its inhabitants, so that even the architecture in each of its dimensions, supports the realization of God’s plan, for which Chiara spent her entire life: to make humankind into one human family.”