Alba Sgariglia has degrees in philosophy and theology. Since 1975, the year before she entered the focolare, she began working at the Study Centre of the Focolare Movement alongside the foundress, Chiara Lubich.
What did your work at the Study Centre consist of?
I used to go to the library in Florence to photocopy passages from the Greek Fathers, which we would then translate at home, searching through countless pages for those brief phrases that could serve Chiara Lubich to confirm her inspirations. At the time I was working with Marisa Cerini, who told me: for us, building unity means that we should enter into the thought of the Greek Fathers and from there try to understand the light of the charism that Chiara has received. In the following years I also taught religion in secondary schools in Rome. I then joined the governing body of the Movement to oversee the cultural aspect and subsequently I became part of the Abba School, which Chiara founded in 1991 to study the notes from the so-called period of Paradise ’49. Finally, in 2014, Maria Voce Emmaus, then President of the Focolare Movement, entrusted me with the Chiara Lubich Centre, which was established to preserve, study and promote the life and work of Chiara.
What does this newly published book represent?
Paradise ‘49 is a text published posthumously, since it was written, compiled and edited by Chiara Lubich during her lifetime. She wished to describe the mystical experience she had lived between 1949 and 1951, accompanying it with footnotes that would facilitate its comprehension, so as to provide the group of scholars at the Abba School with a text that was accessible and could be used for research. The text contains a mystical experience that Chiara always said she could not keep to herself. Then, urged on by many people, she realized that the text could be understood and used by others in the Movement as well.
For example, in the early 2000s, she herself explained the essence of this experience to the young people of the Movement. Then little by little, she realized that the experience recounted in the text could also be shared with people of other religions. Over the years we have held symposia with Hindus, Buddhists and Muslims, to whom Chiara offered some passages from Paradise ’49. We have also discussed the text with people with no religious affiliation, who have given reflections far deeper than we could ever have imagined, emphasizing that it is a text of great value. There are many founders of charisms who have received this possibility of understanding the work they were carrying out, through so-called “intellectual visions” in which one perceives with the intellect what God is allowing one to see.
But since it is a mystical language, isn’t it difficult for most people to understand?
Mystical language is a unique literary genre; it is neither poetry, nor theatre, nor literature, nor theology. For example, one sometimes encounters difficulties on a theological level, because the mystic seeks words they cannot find, trying to express the inexpressible: a difficult task, so much so that often Chiara herself, whilst we were re-reading these passages, would ask us: “But how could I have written these sentences? What do they mean? Why did I write this?”
This confirms that, in such situations, the founders seek to express what they “see” using the cultural categories and concepts at their disposal, which are sometimes inadequate. For example, in Paradise ’49 there are references to The Divine Comedy because Chiara was familiar with it, or to philosophers such as Kant, whom she had studied. The external setting can also have an influence: Chiara and her first companions began this experience in the mountains of Trent, in Tonadico: it is a natural setting that speaks for itself through its beauty. This, too, helped her to express things she was perceiving for the first time in her life.
Over these 18 years since Chiara’s death, you have published books that shed light on the context of the Paradise ’49 experience…
We have continued to examine the text in depth across various disciplines, using the method Chiara had left us, which is to study everything with “Jesus in our midst”. I believe that three key aspects can be identified in this volume: the first is an educational aspect, as it teaches how to live out the charism of unity and offers a vital key to understanding it; the second aspect can be described as artistic and literary, as the text encompasses many literary genres: diaries, letters, writings and notes; finally, there is the doctrinal aspect, as the text undoubtedly has a theological focus. It is, in fact, a mystical experience that helps us to understand, on the one hand, the truths of Heaven: God, the Trinity, the Word, Mary, creation, hell and paradise; and, on the other hand, the incarnation of the charism in a movement that would have been founded in the following years, that is, after 1949–51. Every time one reads these mystical texts, one understands new things. This is what happens to me too: every time I read these pages, I understand new things, both intellectually and spiritually.
When reading the text, doesn’t Chiara seem to be a bit presumptuous in certain passages?
We need to understand why Chiara says those things in that way. We could say that it is as if God, in order to express concepts that cannot be conveyed through a human being, identifies with that person, seeing things through their eyes. This is why Chiara finds herself writing: “Today I am universal fatherhood.” But she herself asks: “What does that mean?” In that moment, she identifies with that reality, so that she can express it. In the footnotes, she herself comments on and explains her amazement and her joy at seeing that other founders had experienced more or less the same thing.
What advice would you give to someone reading this text?
I would say: take this book and read it whenever and however you like, at any time. You can discuss passages that are unclear or more complex with others, or with an expert. But I suggest that you don’t let yourself be influenced by anyone, because this text speaks directly to the individual. Let’s open it at random and read whatever page we come across. We will understand what we need at that moment, because the text, despite a few difficulties, really touches us deeply. It’s a mystical experience, that can, in a certain way, be “shared”. This is the novelty, as Chiara herself explained to us. She always made sure that everyone could participate in her experience, and this book gives us that opportunity.
A full lecture hall, attentive, almost suspended in silence. This was the atmosphere in the Paul VI Hall of the Pontifical Lateran University (Rome, Italy) on Friday 22nd May, when Chiara Lubich’s Paradise ’49 was presented to the public for the first time.
It wasn’t simply a book launch. The widespread impression, heard in the corridors and in conversations among those present, was that this was a historical moment: for the first time, a text kept mostly private until now, was being openly offered to ecclesial and cultural debate, in a hall filled to capacity.
Welcoming those present, Anna Maria Rossi, speaking on behalf of the Chiara Lubich Centre – promoter of the series of Works by Chiara Lubich – immediately clarified the meaning of the event, recalling the extensive editorial process that led to the publication of the volume. “It is not an isolated text – she explained – but part of a broader journey, which tells the story of the emergence of a charism in the Church”.
The contents were introduced by speakers from different ecclesial and academic backgrounds. Alessandro Clemenzia, Dean of the Theological Faculty of Central Italy and an expert in Chiara Lubich’s spirituality, offered an important key to the book’s interpretation: “It is not a question of understanding what Chiara wrote, but what God wishes to say about himself through this experience”. A perspective that helped reveal the depth of the text without reducing it to a simple document.
Stefan Tobler, a Swiss evangelical theologian also involved in the reflection on the Charism of Unity, drew attention to the figure of the author: a woman who, through these pages, “offers the most intimate aspects of her relationship with God” sharing her experience in an authentic way.
Particularly anticipated was the contribution of Angela Ales Bello, philosopher and phenomenology expert, the only speaker external to the Focolare Movement. She clearly pointed out that mysticism is not something “strange” or esoteric, but “an illumination of reality lived in faith”. She also highlighted an original feature of Paradise ’49: an experience that involves not only the person, but also the community, almost a “we” that becomes a subject.
Brendan Leahy, Bishop of Limerick (Ireland) and, like Clemenzia and Tobler, also a member of the interdisciplinary study centre of the Focolare Movement known as the “Abba School”, intervened remotely. He highlighted the ecclesial significance of the text. Paradise ’49, he said, is not a systematic treatise, but can “inspire new perspectives” and help us understand the Church as a living and relational communion.
Throughout the meeting, alongside the great enthusiasm, there was also a certain caution: how can such an intense text be received without simplifying or misunderstanding it? The answer emerged several times, almost like a guiding thread: Paradise ’49 cannot be understood only by reading it but by letting oneself become involved in it.
Perhaps this was the deepest meaning of the day. With this publication, the Focolare Movement has taken a step towards greater openness: what was born as a lived experience is now being offered to everyone, not as an object to be analyzed, but as a proposal for life.
“Let us give thanks together to the Lord for the great spiritual family that has been born from the charism of Chiara Lubich.” These were the words of Pope Leo XIV to the participants at the General Assembly of the Work of Mary – Focolare Movement, on the 21st of March 2026. As the Pope recalls, Chiara Lubich is widely known for her work as a foundress as well as for her ’spirituality of communion’, thanks in part to her numerous publications. Less well known is the mystical experience that lies at the origin of her Movement and from which she has constantly drawn inspiration. The publication of Paradise ’49 is part of the extensive publishing project of her “Works”. This is being undertaken by the Chiara Lubich Centre and published by Città Nuova, and it is the sixth volume in the series. This book now lifts a veil that had previously been kept reserved, which was the understandable wish of the Author herself. It was over that intense contemplative period that stretched from the 16th of July 1949 to the end of 1951, and it is known precisely as “Paradise ’49”.
Before focusing on the book, let us take a look at the event itself, of which the book is a narrative. On the 16th of July 1949, after attending Mass, Chiara wanted to turn to Jesus and call him by name, but she could not. What she had just experienced had transformed her into Jesus; she could not therefore call herself, and from her lips came the words that Jesus used in his prayer: “Abba, Father”. Later, she wrote: “I seemed to understand that the one who had put upon my lips the word “Father” was the Holy Spirit.” It is not merely a word, it is reality: “in that moment I found myself within the bosom of the Father. … I had, therefore, entered into the Bosom of the Father, which appeared to the eyes of my soul (but it was as if I saw it with my physical eyes) as an abyss that was immense, cosmic. And it was all gold and flames above, below, to the right and to the left.” From the very first moment, the event takes on mystical overtones, comparable to similar experiences lived by other mystics. Yet it also reveals a distinctive feature, stemming above all from its unitive, “collective”, ecclesial dimension.
Before attending Mass, Chiara had made a “pact of unity” with Igino Giordani, a well-known writer, Member of Parliament and father of a family. Together they had asked that it be Jesus, who came through the Eucharist in one of them, to “bring about” unity with Jesus in the other, both of them totally open and receptive to his action, as into an “empty chalice”. And that is what happened: upon her and upon him, having become an “emptiness of love”, only Jesus came and remained. The two had become one Christ. It was a repetition of the Apostle Paul’s experience: “It is no longer I who live, but it is Christ who lives in me” (Galatians 2:20): the two souls had become one soul, that of Christ. It is this one soul that entered the bosom of the Father. The mystical experience that took place did not concern just one person but, first two, then an entire group to whom Chiara communicates what she is experiencing, constantly involving new people in the same experience: “I had the impression of seeing in the Bosom of the Father a small company: it was us.” In the bosom of the Father, life is lived as a single Soul (the capital letter is a constant feature of Chiara’s narrative).
Highlights from the presentation at the Pontifical Lateran University
When, shortly afterwards, the phenomenon of the “mystical marriage” occurs—common to many mystics—it is no longer one person who is “married”, but the entire group that has become a single Soul. From that moment begins what Chiara calls “travelling Paradise”, a sort of honeymoon in which the Spouse shows her the realities of Heaven that now belong to her as well. And here we venture into the contents of what she calls “lights”, “revelations”, “understandings”, the experience and insight of the Revelation, of such intensity that she becomes identified with what she “sees”, almost as if she were coming to know the mysteries of the faith from within. These are insights regarding the Movement that is coming into being, guidelines for a pedagogy of the spirituality of communion, indications that translate into prayer and daily life: “on earth, as it is in Heaven”.
The text is not easy to read, both because of its mystical language—filled with paradoxes, metaphors and contradictions—and, above all, because of the richness of its content. The Author composed this work over a long period of years, practically until the end of her life, selecting and organizing the papers from that period of enlightenment. We are faced with a variety of literary genres: letters, intimate pages in the style of a spiritual diary, notes in preparation for talks, newspaper articles and commentaries on the “Word of Life”, autobiographical and speculative reflections, and even a fable. However, although varied, the experience unfolds as if along a golden thread that follows a divine pedagogy, “a revelation of mysteries as light and sweet as Paradise, as logical and progressive as life”. The publication reproduces the complete text, just as she wished to present it, with her own comments added during the slow process of rereading.
The speakers at the presentation: Alessandro Clemenzia, Dean of the Faculty of Theology of Central Italy; Angela Ales Bello, Professor Emerita of Contemporary Philosophy – Pontifical Lateran University; Stefan Tobler, theologian and Director of the Institute for Ecumenical Research at the “Lucian Blaga” University of Sibiu (Romania); Brendan Leahy, theologian and Bishop of Limerick (Ireland)
There are two introductions, one of a historical nature, by Alba Sgariglia[1], which traces the history and complex composition of the text, and the other of a theological nature, by Piero Coda[2], which highlights the nature of the experience and how it fits into the historical journey of the Church, whilst also revealing its novelty. The book is enriched by a glossary, bibliography, and scriptural and subject indexes.
This is a fundamental text for understanding the charism of Chiara Lubich, which extends beyond her Movement. It is a work destined to form part of the Church’s mystical and doctrinal heritage, capable of speaking to every person, “a legacy to be shared and brought to fruition”, as Piero Coda writes.
How should one read this book? “All these papers I have written,” the Author noted as early as the 25th of July 1949, “are worth nothing if the soul who reads them does not love, is not in God. They have value if it is God who reads them in that soul.” It is a fundamental principle for understanding any work: to place oneself on its same level. To understand Paradise ’49 properly, it is essential to listen sincerely to the experience of its Author and almost to enter with her into that “Paradise” to which the book bears witness. Chiara Lubich was convinced of this. When, on the 22nd of November 2003, she began reading her work again, together with a small circle of scholars whom she had gathered around her, called the “Abba School”, she noted in her text: “This time we are reading it with the aim of converting ourselves, translating it into life. We must ensure that the Abba School becomes Paradise. In fact, only in this way can the contents of these volumes be understood….”
[1] Alba Sgariglia is the director of the Chiara Lubich Centre, a researcher at the Focolare Movement’s Centre for Studies, and a member of the Abbà School in the field of theology and Mariology.
[2] Piero Coda is Secretary General of the International Theological Commission and a professor of Trinitarian Ontology at the “Sophia” University Institute. He was a former President of the Italian Theological Association from 2004 to 2011.
The latest volume which contains what Chiara Lubich wrote about her mystical experience: Paradise ’49, is now in the bookshops. In many ways this is a unique text, one that will surely provoke lively reflection. Above all because, for the first time, it places before the wider public, without omissions or selections, the deepest source of the Christian adventure that made Chiara one of the leading figures of the second half of the last century and beyond. It hands on to us a legacy that still remains largely to be explored and developed.
Yes, the deepest source: not the fruit of her imagination, however brilliant, or merely an original inspiration granted to her. It is something more and something different. It is something, as the philosopher Jean-Luc Marion wrote, that comes d’ailleurs, from that “elsewhere” which in Jesus has been given to us once and for all “from within” and “beneath” the history we live, with all its magnificent and astonishing expressions and surprises and with its dramatic and disturbing trials.
Throughout the centuries, this ever new proposition of Jesus, as promised by him: “Behold, I am with you always, even to the end of the world”, is a well-known tenet of the history of the Church. Each time it is unforeseeable and surprising, because it is the work of the Spirit, who “is like the wind that blows where it wills and you hear its sound, but you do not know where it comes from or where it goes.” Yet it is something that can still be recognized and appreciated.
Paradise ’49, once again and in an unprecedented form, is a simple and faithful witness to all this. Here lies its first value. We cannot but be deeply grateful to Chiara who in the end, not without first carefully assuring herself that all was in harmony with the faith of the Church, chose to offer this gift. She considered it something precious and recognized her responsibility toward it, as a gift given by God not only for herself but for everyone. From this comes a second value of these pages: the role they are destined to have for the Focolare Movement. Its charismatic identity was forged precisely through the events witnessed in these pages, so that it might be “the new wineskin” called to preserve and generously pour out the “new wine” of the Spirit that was communicated there, in service of the Gospel’s journey through history.
Finally, there is a third and perhaps decisive value of this writing: making accessible to us today the decisive resource represented by the event of Jesus. It has been said that Christianity has yet to flower fully. . And at this challenging turning point in history, in the fraternal dialogue that the disciples of Jesus are called to live with all who seek truth and serve justice: no, we haven’t said everything yet.
Christian hope is not an escape from reality. It is born in a dark place, in the narrow confines of a sealed tomb, where God has already overturned the judgment of this world. Precisely for this reason, it dares to speak in a time of wars (Gaza, Kyiv, Darfur and Tehran) and of hundreds of millions of people who do not know how they will make it to tomorrow.
Our days are woven with justified expectations: health, a secure job, a measure of peace, a justice that is more than words. But when these become our entire horizon, we either treat them as idols or, at the first serious fracture, we take refuge in cynicism and resignation.
Easter does not erase these hopes; it re-centres them. It roots them in Another and in doing so, preserves them. A love stronger than death does not remove the burden of action; rather, it breaks the anxiety of having to save the world through our own efforts alone.
The final word on history is not ours, nor that of the victors of the day. It is the word spoken over the body of Jesus. And the word of Easter already refutes every claim of death to be definitive. For Paul, the resurrection of Christ is not an isolated episode in Jesus’ biography. It is the opening of a new scene into which all humanity is drawn: “For as in Adam all die, so in Christ all will be made alive” (1 Cor. 15:22). The Church Fathers followed this insight without attenuating it: the resurrection is the fulfilment of human nature in its entirety, not the privilege of a fortunate few. In Christ, God already contemplates the fullness of the human family: the faces of refugees in the Mediterranean, of those crossing the Sahara, of civilians hiding in basements in Darfur. For this reason, every wound to human dignity, every discarded body, is not only a social injustice; it is a profanation of a humanity that was conceived and loved within the very light of the Risen One.
Paul widens the horizon further: “the whole creation has been groaning as in the pains of childbirth” (Rom 8:22). It is not only human conscience that groans, but the soil, the air and the seas. In 2026, the language of “labour pains” no longer sounds like pious symbolism: we read it in floods, in uncertain harvests, in villages forced to move because the water has run out. This groaning takes the form of protest; creation refuses to be treated as disposable material and Easter gives it a voice. In the risen Christ, every exploitation of the earth already appears for what it is: a choice against the future of all.
How, then, are we to live between a fulfilment already begun and a history still marked by too many failures? Not with paralysis, nor with superficial optimism. We live knowing that nothing authentically good is lost: a gesture of welcome, a choice to renounce something, honest work carried out under adverse conditions. Pope Benedict XVI reminds us that “every serious and upright human action is hope in action,” and includes among these efforts working for a more humane world, sustained by the great hope grounded in God’s promises (Spe Salvi, 35). We can say even more: it is not an external addition to the Kingdom; it is already a visible fragment of it. Fulfilment belongs to God and yet God insists on passing through us as well. When we commit ourselves to refugees, to disarmament, to more humane working conditions, to a concrete and not rhetorical peace, we are not simply “preparing” something for later. We are allowing the life of the Risen One to take shape—humbly and fragilely—within our time.
Easter hope does not remain an idea or a feeling; it takes flesh. The resurrection teaches us that the logic of death has no power to determine the final outcome. For this reason, every war, every system of exploitation, every calculated indifference is already unmasked and stripped of ultimate meaning by the empty tomb. In the tomb of this world, something has already changed forever: life has begun to rise up through the cracks of history. Not as vague consolation or as a “reward” in some undefined elsewhere, but as a reality that, in Christ, has already been entrusted to humanity and to all creation. In the judgement of God revealed at Easter—a judgment that liberates, not crushes—it is decided once and for all that death will not have the last word over anyone or anything.
This is the great hope.
Happy Easter: a hope that does not remain closed within the church, but engages in history.
I wish that we could all have Easter eyes capable of looking into death, until we see life, into the hurts, until we see forgiveness, into separation, until we see unity, into the wounds, until we see glory, into the human person, until we see God, into God, until we see the human person, into Myself until I see You. And in addition to this, to see the power of Easter!
(Easter 1993)
Klaus Hemmerle La luce dentro le cose, Città Nuova, Rome 1998, p. 110.
